The Artist Co-op

The Seminar Post - "Thanks, SpongeBob. I'll alert the New York Times."

I knew that moving across the country would be hard at first. Like, I knew that. But there's a huge difference between intellectually understanding it and really feeling it. This past week in LA has been hard, man.

But instead of thinking about how difficult it is, I want to talk about one of the things that made me happiest before I left: Seminar!

You guys, I am so proud of this show. And it is entirely because of the incredible cast and crew.

Rachel Goodgal is an incredible director. She had this incredible eye for finding exactly what was missing from a scene, or knowing what to change about our set or blocking to change the feeling of the entire moment for the better. And best of all, she's so good at directing actors, probably because she is one herself! She never tells us how to feel

James Horgan played Leonard, and you never would've guessed that this was his first play. He was so cool and cunning and so different from how I originally pictured Leonard. In my initial concept for the show, Leonard would've been much snarkier, more emotional, and openly sexual. But he is proof positive that being open to the unexpected can only make a creative project better.

Conversely, there is no point at which I could ever have pictured anyone other than Justin Andrew Davis playing Douglas. He does pretentious and overly intellectual so well, but the thing that makes it so good isn't the wry humor that comes with it. It's that he's such a kind, thoughtful, and compassionate person just as a human, and that comes through in his performances as well giving them this beautiful layer of depth you otherwise would never see.

I was so excited to get to work with Wesley Cady as Izzy. She's one of my oldest friends, and she's getting her MFA from Wayne State, but this is the first time we've ever done a creative project together! She's so natural on stage - there are few actors who don't feel the need to do something, but she just is. She just sits there and listens and that makes her absolutely mesmerizing.

Last but not at all least is Christopher Erlendson as Martin. Firstly, the show wouldn't have happened without him. There were several times when I had issues finding a venue and other important things and I seriously considered dropping the project. He's the one who kept finding solutions to problems I thought were impossible. I couldn't be more grateful that he did. And he was an extraordinary Martin. There was one night where we spent hours in rehearsal just discussing character and relationships; I've never seen anyone so devoted to a project as he is to everything he chooses to join. (He has a couple of shows coming up, too! Check out the new production of A Kreutzer Sonata at The Secret Theatre in New York in August! And then Magic? later this year!)

I also want to give a shout out to The Artist Co-op, who so graciously let us use their space! It was the perfect location for this particular production - immersive and creative - and their whole set up both ingenious and genuinely useful for artists.

There are many things about producing a show that are really, deeply frustrating. But this experience was the best reminder that it can be so worth it.

"So, what's it gonna be? Do you want to be a writer... or not?" - Seminar

I'm in a play on Saturday! Yay!

It's Seminar, by Theresa Rebeck. I'll be playing Kate. You can still get tickets at seminartac.brownpapertickets.com

There are a few interesting things about this show. One is the discussion of how feminist it is. You all know by now that I'm pretty feminist, and I think this play agrees with the feminism that I believe in. But there's also a pretty easy argument that it is, in fact, anti-feminist. I'll go into that more in a different post. For now, though, no spoilers! You'll just have to come see the show and then discuss it with me afterwards.

More than that, though, is the level to which I've been able to discuss acting, performance, writing, and art with artists whom I respect and admire by working with them in this show. I know actors always talk about how much we learn in every show/film/whatever. But this is a play all about what it means to reveal yourself, to be vulnerable, and to be an artist. And here I've gotten to be surrounded by thoughtful, deliberate people and discuss what that means both within the context of the show and in our own lives.

And last night I had a wonderful experience with my Martin, Christopher Erlendson, where we spent hours going in depth about character, how Martin sees everyone else in the show, what it means to play emotions and how to do it. And I realized what a special place we're at in our careers, where we've found people who are really that good - the people we're going to "come up" with as we move through the ranks - and we have the time to sit down and really decide what acting means to us. Emotions. The human condition. Relationships and what it is to connect with another human being.

I've seen stories from people who "made it" and then later on in life looked back and their favorite part was their early careers where they didn't have the money they made later on, but they had everything in front of them, and I always used to look at those and be like "yeah, but career and financial security would be nice." But now I think I get it? I don't have the benefit of that length of experience yet, but I realized that I'm at that place in my career, and I'm so grateful to have such cool people with whom I get to go through it.

Anyway, come see Seminar this Saturday! I promise it'll be a cool show.