Magic?

Magic?, Measure for Measure, and the Tribeca Film Festival - "Farewell. Nope. The mayor is a drunkard as well, tell him I said so!" - Lucia, Measure for Measure

Going into the last half of April, there was a part of me that thought I'd be able to find time to keep up this blog while also being in Magic?, Measure for Measure, and working the Tribeca Film Festival. That was straight up a bald-faced lie to myself.

So now instead, let's review!

The Tribeca Film Festival is one of my absolute favorite things, but this year it just flew past me. I only got to see five films, and I just barely eked in the minimum number of shifts. But I always love being around the energy of the festival. There's always a feeling like new and exciting things are happening there - it's not about having the films that are going to win Academy Awards, but telling stories and using media that represent the future of storytelling.

Also, I got to experience VR for the first time there this year. IT'S SO COOL. I don't think it's a replacement for cinema as we know it. But what a weird and interesting experience to slip a headset on over your eyes, and look around underneath the ice in Antarctica.

Definitely did not attend opening night of the festival, though. That's because it was the same night as the performance of Magic? at Dixon Place!

Photo credit: Mo Rabbani

Photo credit: Mo Rabbani

What a ride of a show. Going from being cast to putting the show up in less than three weeks? It was so insanely intense. And it never could've worked without my talented, giving castmates, and more than that, our dedicated director, Chris Erlendson. I already wrote about how great they all on my last post. Even if that was a month ago. But it deserves repeating again. And again. And again.

The cool thing about this show was how much everyone was willing to give to make it work. When you do a show with a certain level of intensity - you especially see this in high school and collegiate theater, or touring companies - everyone in the cast and crew becomes family. You just spend too much time together not to. And it's interesting to me that we were able to attain that even though we did the show so quickly. Maybe it's because our lives revolved around each other so much for that time. When all day every day is devoted to the same group of people, maybe you're just bound to get that connection, even if that experience only happens for a relatively short length of time.

And then after the Tribeca Film Festival, I was in Measure for Measure! This one was just a ton of fun, and it reminded me so much why I enjoy playing comic characters.

Photo credit: Dylan Lopez

Photo credit: Dylan Lopez

I played Lucia (genderbend of the original character Lucio) and what a character arc that story has, man. She's funny, and she's part of the comic relief of the show, but she's not just a dumb delinquent meant to amuse the "common people" in the cheap seats back in Shakespeare's day. She has a point of view of what Deputy Angelo is doing in Vienna, and she is very deliberate at every turn in how she chooses to stick it to the man. She does it with a smile on her face and a clever insult on her tongue, but she does it well. It turns out that the man gets to stick it back to her in the end. (Shakespeare did have a thing about the innate goodness of nobility. I guess you have to when they're the ones paying your bills.) But she's an interesting, fun, crafty character, and it means the world to me that our brilliant dramaturg and director Jenna Schlags entrusted me with her. If it had been up to me, I would've thought of myself as more of an Isabella. But I so, so prefer having been Lucia. She's a character that's going to stick with me for a long time.

And what's coming up next? I don't know, man. I'm gonna try to stick one more show in there before the move to LA, I think. Because if Magic? taught me anything, it's that you can easily do a show in two weeks! Or, if not easily, you can at least do it. So I'm going to see what can be done. It's part of the spirit I love so much of New York.

Almost, Maine and Magic?

I cried on Monday. It was pretty great.

If you saw my post last week, then you know I produced and acted in Almost, Maine by John Cariani at the TBG Studio Theatre on the 10th! And it was exactly every actor/producer's dream. A big, responsive audience! A smooth show! And we raised $762 for the ACLU!!

But more than that, I'm so proud and grateful for the people I had doing the show with me, and I just want to take the time here to talk about how dedicated, thoughtful, and thorough they all were for this project. My director, Charlotte Grady, 100% made this show what it is. I may have handled the logistics, but she thought of so many things that go into putting on a show that I never considered, and without her, I don't even want to think about what it would've looked like. Speaking of the look, Ana-Sofia Meneses is a brilliant costume designer. At our very first meeting, she came in with several lookboards of ideas of what the characters and ensemble should look like, from the Norman Rockwell-ian to the idea of us all being seen through a frosted pane of glass like you would find in northern Maine, with pops of strawberry red for love. And, of course, the look wouldn't have been complete without Shannon Kavanaugh who has an eye not just for beautiful painting, but also making sure everything is cohesive and on-theme. Plus, when we got to the show date, she was happy to do whatever needed to be done backstage just to make sure the show went off without a hitch. And, of course, absolutely nothing on stage could've happened without the technical help of Claire Fishman. When we were in college together, I was part of a meeting where I saw several directors fighting over who got to have her as the stage manager for their show. And now I got to have her in mine! (And, I have to say, I'm exceptionally proud that we were able to come together as easily as we did and be an all-female production team.)

And then, of course, there's our brilliant cast. There were eighteen of us, so I don't have the space to talk about each one of them individually. But suffice it to say that they brought this play that I love so much to life, and they were totally willing to jump in, heart and soul, and give their time, energy, and thoughtfulness to this production, and I'm just so over the top proud and honored.

Valeria Avina
Arielle Beth
Adrian Burke
Jon Butts
Noah Chen
Dan DeCarlo
Therese Dizon
Raul Hernandez
Daniel Kemper
Corrie Legge
Chanelle McCoy
Uki Pavlovic
Rahmell Peebles
Marjay Smith
Chance Wall
Jenny Ward
Patryce Williams
Hannah Yi

And now, after this, it's on to the next show... which is literally this Wednesday.

It's called Magic? and it's a one-act told entirely in rhyme! The director and co-writer, Chris Erlendson, compared it to the way Shakespeare's works are written. And I promptly teased him for comparing himself to Shakespeare. The other co-writer is Yaakov Bressler, and Hannah Yi is gonna be acting with me in this, too!

But actually though, it's a clever, funny, sweet show. I'm psyched to be a part of it. I have my own theme music. It's that cool. And, for a variety of reasons, we had to pull it together in about two and a half weeks. But guys, I swear to god, we're doing it. Come out to Dixon Place this Wednesday at 7:30. It's gonna be incredible. (See how that's a link? It's a link to where you can buy tickets online!)

"But Emma, I'm a visual learner, how do I KNOW it's gonna be-"

VOILA! A promo video. Now you can be absolutely certain it's worth seeing.