Charlotte Grady

Almost, Maine and Magic?

I cried on Monday. It was pretty great.

If you saw my post last week, then you know I produced and acted in Almost, Maine by John Cariani at the TBG Studio Theatre on the 10th! And it was exactly every actor/producer's dream. A big, responsive audience! A smooth show! And we raised $762 for the ACLU!!

But more than that, I'm so proud and grateful for the people I had doing the show with me, and I just want to take the time here to talk about how dedicated, thoughtful, and thorough they all were for this project. My director, Charlotte Grady, 100% made this show what it is. I may have handled the logistics, but she thought of so many things that go into putting on a show that I never considered, and without her, I don't even want to think about what it would've looked like. Speaking of the look, Ana-Sofia Meneses is a brilliant costume designer. At our very first meeting, she came in with several lookboards of ideas of what the characters and ensemble should look like, from the Norman Rockwell-ian to the idea of us all being seen through a frosted pane of glass like you would find in northern Maine, with pops of strawberry red for love. And, of course, the look wouldn't have been complete without Shannon Kavanaugh who has an eye not just for beautiful painting, but also making sure everything is cohesive and on-theme. Plus, when we got to the show date, she was happy to do whatever needed to be done backstage just to make sure the show went off without a hitch. And, of course, absolutely nothing on stage could've happened without the technical help of Claire Fishman. When we were in college together, I was part of a meeting where I saw several directors fighting over who got to have her as the stage manager for their show. And now I got to have her in mine! (And, I have to say, I'm exceptionally proud that we were able to come together as easily as we did and be an all-female production team.)

And then, of course, there's our brilliant cast. There were eighteen of us, so I don't have the space to talk about each one of them individually. But suffice it to say that they brought this play that I love so much to life, and they were totally willing to jump in, heart and soul, and give their time, energy, and thoughtfulness to this production, and I'm just so over the top proud and honored.

Valeria Avina
Arielle Beth
Adrian Burke
Jon Butts
Noah Chen
Dan DeCarlo
Therese Dizon
Raul Hernandez
Daniel Kemper
Corrie Legge
Chanelle McCoy
Uki Pavlovic
Rahmell Peebles
Marjay Smith
Chance Wall
Jenny Ward
Patryce Williams
Hannah Yi

And now, after this, it's on to the next show... which is literally this Wednesday.

It's called Magic? and it's a one-act told entirely in rhyme! The director and co-writer, Chris Erlendson, compared it to the way Shakespeare's works are written. And I promptly teased him for comparing himself to Shakespeare. The other co-writer is Yaakov Bressler, and Hannah Yi is gonna be acting with me in this, too!

But actually though, it's a clever, funny, sweet show. I'm psyched to be a part of it. I have my own theme music. It's that cool. And, for a variety of reasons, we had to pull it together in about two and a half weeks. But guys, I swear to god, we're doing it. Come out to Dixon Place this Wednesday at 7:30. It's gonna be incredible. (See how that's a link? It's a link to where you can buy tickets online!)

"But Emma, I'm a visual learner, how do I KNOW it's gonna be-"

VOILA! A promo video. Now you can be absolutely certain it's worth seeing.

Almost Maine and Being American - "The sentimental person thinks things will last - the romantic person has a desperate confidence they won't." - F. Scott Fitzgerald

I've been thinking a lot about what it is to be an American lately. On one hand, yikes. On the other hand, maybe I've just watched too much Aaron Sorkin, but I so deeply believe in what America can be.

(I know, I made a post like this at the beginning of July. Bear with me. It ends up differently, I promise!)

Beyond ridiculous, it would be foolish, ignorant, and pointless to ignore the atrocities that the United States has committed. We are definitely the country of modern day mass incarceration and an incredibly racist "war on drugs." The Japanese internment camps. Sandy Hook. The genocide of the Native Americans. The fact that we're built on the back of slavery. The whitewashing of Asian narratives like Ghost in the Shell and Death Note. And how I literally just got the NY Times notification that the Republicans changed Senate rules to block a filibuster of a Supreme Court nominee, despite having blocked President Obama's nomination of Merrick Garland.

We're just also a country that's full of people who are trying to do better. For all that we're a country of civil rights abuses, we're also a country of people protesting them and really believing they can change. We're the country of Alexander Hamilton and Lin-Manuel Miranda. We're the country of the American Dream, which never quite seems to die since we all do keep feeling hope for the future; eight and a half years ago, Barack Obama won the presidency because he tapped into that. We're the first responders who ran into the Twin Towers as they were burning to save as many people as they could.

It might be more accurate to say that I believe in the idea of America more than the reality of America. Because, like I said before, yikes. I don't even want to go into the current administration and how terrible everything surrounding it is.

I just think that the idea of America is something beautiful and worth striving towards, and I see that we do on a regular basis.

In that vein is why I'm producing a staged reading of Almost, Maine by John Cariani this Monday!

(See? I told you this would be different from my annual post around the Fourth of July!)

Almost, Maine is a play about everyday people in this average small town dealing with love and the human condition. What my brilliant director, Charlotte Grady, and I have done is assemble as diverse a cast with people of as many different skin colors, nationalities, and religions as we could. Because, despite our backgrounds and how we look, we're all Americans, and we're far more alike than we are different.

Which is, I think, the whole point.

Also, all the money we raise is going to go to the ACLU. Because they are just such a huge part of the solution.

If you're interested in seeing it, you should get your tickets now! They're on sale at almostmainetbg.brownpapertickets.com. (I'm also acting in it, if that helps!)

There's also an option there if you can't make it but just want to donate to the ACLU through us.

Because we're not in a great place right now. But I genuinely do believe that we can do better.