"Yeah, we're going on a date next week! It's gonna be KILLER." - Confessions of a Teenage Cannibal

In early January, I was the lead in what will possibly be my favorite short film of the year. The thing that I loved so much about this was how easy it was to make. We had a camera with only a couple of different lenses, two lights, and a boom mic.

And a fantastic script along with clever and organized directors.

And they're in high school.

Two days ago, I got the footage back. Check out Confessions of a Teenage Cannibal!

Right now I'm also in a beautiful little one act at Manhattan Repertory Theater called A Kreutzer Sonata. It touches on issues that are important to me, and it does it in a simple but elegant way. It's not overloaded with fancy effects or weird schtick. It just tells the story of a college freshman trying to reconcile his orthodox Judaism with a secular world with exactly as many props, characters, sound effects, et cetera as it needs. And, similarly to Confessions of a Teenage Cannibal, it's minimalist, but excellent.

It's making me think of what it takes to "just do it" and create art, whether it's theater or film. It doesn't take a ton of money, or fancy tools, because in both examples, we didn't have much of them.

Is it offensive to techies if I say it's the script, performance, and direction? Because things like costume design, art direction, all of the "below the line" categories are important, absolutely. But they can all be excellent, and lead to a terrible film or show. (Suicide Squad is, for instance, an Academy Award winning film for makeup design, even though it was critically panned.) But if you have a good story and you tell it well, then I think it doesn't matter as much how good it looks.

By no means am I trying to say that everything else is unnecessary. It is difficult, if not impossible, to act in a vacuum without any props, for instance. And if I had a dollar for every time a director told me that he doesn't especially care what I wear, I'd have enough money to hire a proper costume designer who would change the whole way I carry myself with the way I'm dressed.

But what I am saying is that anyone who thinks that you need a ton of money to be able to make things studio-quality is full of it. And if you have a good story, then you should just do it, because it's definitely doable, regardless of your budget!