theater

The Seminar Post - "Thanks, SpongeBob. I'll alert the New York Times."

I knew that moving across the country would be hard at first. Like, I knew that. But there's a huge difference between intellectually understanding it and really feeling it. This past week in LA has been hard, man.

But instead of thinking about how difficult it is, I want to talk about one of the things that made me happiest before I left: Seminar!

You guys, I am so proud of this show. And it is entirely because of the incredible cast and crew.

Rachel Goodgal is an incredible director. She had this incredible eye for finding exactly what was missing from a scene, or knowing what to change about our set or blocking to change the feeling of the entire moment for the better. And best of all, she's so good at directing actors, probably because she is one herself! She never tells us how to feel

James Horgan played Leonard, and you never would've guessed that this was his first play. He was so cool and cunning and so different from how I originally pictured Leonard. In my initial concept for the show, Leonard would've been much snarkier, more emotional, and openly sexual. But he is proof positive that being open to the unexpected can only make a creative project better.

Conversely, there is no point at which I could ever have pictured anyone other than Justin Andrew Davis playing Douglas. He does pretentious and overly intellectual so well, but the thing that makes it so good isn't the wry humor that comes with it. It's that he's such a kind, thoughtful, and compassionate person just as a human, and that comes through in his performances as well giving them this beautiful layer of depth you otherwise would never see.

I was so excited to get to work with Wesley Cady as Izzy. She's one of my oldest friends, and she's getting her MFA from Wayne State, but this is the first time we've ever done a creative project together! She's so natural on stage - there are few actors who don't feel the need to do something, but she just is. She just sits there and listens and that makes her absolutely mesmerizing.

Last but not at all least is Christopher Erlendson as Martin. Firstly, the show wouldn't have happened without him. There were several times when I had issues finding a venue and other important things and I seriously considered dropping the project. He's the one who kept finding solutions to problems I thought were impossible. I couldn't be more grateful that he did. And he was an extraordinary Martin. There was one night where we spent hours in rehearsal just discussing character and relationships; I've never seen anyone so devoted to a project as he is to everything he chooses to join. (He has a couple of shows coming up, too! Check out the new production of A Kreutzer Sonata at The Secret Theatre in New York in August! And then Magic? later this year!)

I also want to give a shout out to The Artist Co-op, who so graciously let us use their space! It was the perfect location for this particular production - immersive and creative - and their whole set up both ingenious and genuinely useful for artists.

There are many things about producing a show that are really, deeply frustrating. But this experience was the best reminder that it can be so worth it.

Travelling Across the Country - "To what extent do you know that I'm moving to LA?" - Me, lately, a whole lot.

Yesterday I flew to Los Angeles. Now I'm here.

Over the course of the day I fluctuated from being deeply excited to explore a new city to not wanting to ever leave New York to being determined to make this happen to wondering why the hell I was doing this to myself to desperately wanting to produce something and act in it here so I can find my fellow People Who Do Things. And I would go through all of those within the span of five minutes.

There's a difference between intellectually knowing that my friends in New York are still going to care about me and not feel like I decided to just leave them, and actually emotionally believing it. And I don't know how to convince them that they're still important to me when they already know it.

Also, New York is so important to me. It's my hometown, it's the "concrete jungle where dreams are made." I've discovered who I am there, I've fallen in love there, both with the people and the city. I picked my major in college because of just one street in Manhattan! (Okay, maybe it's not just Broadway, but New York is THE place to be for theatre in the US.) It's shaped every aspect of who I am. How could I possibly leave it?

But I've barely been here twelve hours and LA has already so fully welcomed me. I had several wonderful friends who I knew from before who couldn't possibly make it more clear how excited they are for me to be here. I had to promise a few of them to text as soon as the plane landed, and I'm so psyched to see them. In my Lyft on the way to my apartment, I had the most lovely conversation with my driver and fellow passengers. My roommate in my first sublet here is kind and friendly and so, so helpful. I already have social plans for tomorrow (since today is all about recovery from flying and jet lag) and people are going out of their way to invite me to events and direct me towards people and resources that could be useful. So many actresses come to LA, and I am absolutely the freshest off the plane, and it feels unfair that so many people should be wanting to help me, but I love and appreciate it nonetheless!

And LA is so beautiful. The weather here is perfect. LA people kept warning me as I was arriving that I'm coming into a heat wave, but it's just heat without the intense humidity, and it's kind of lovely. And I get to take advantage of it, because there's a pool?? In my apartment building??? It's amazing to me.

It's still hard to know that, unless I get an East Coast gig or a major audition for me comes up there and I can't self-tape for it, I probably won't be back in New York for six months. I have a thing about never letting people see me cry in real life, but I couldn't stop myself when I was in the plane and it was taking off. Good thing I had a window seat so only the girl in my row knew I was doing it.

When Seminar went up this past Saturday (!!) (More on that soon!) the rest of the cast gave me flowers after the show for my last performance in New York.

20170702_013332.jpg

We went out for drinks afterwards, and I was overwhelmed by the feeling, the wondering how I could ever leave New York.

I can't wait to have the same feeling about LA.

"So, what's it gonna be? Do you want to be a writer... or not?" - Seminar

I'm in a play on Saturday! Yay!

It's Seminar, by Theresa Rebeck. I'll be playing Kate. You can still get tickets at seminartac.brownpapertickets.com

There are a few interesting things about this show. One is the discussion of how feminist it is. You all know by now that I'm pretty feminist, and I think this play agrees with the feminism that I believe in. But there's also a pretty easy argument that it is, in fact, anti-feminist. I'll go into that more in a different post. For now, though, no spoilers! You'll just have to come see the show and then discuss it with me afterwards.

More than that, though, is the level to which I've been able to discuss acting, performance, writing, and art with artists whom I respect and admire by working with them in this show. I know actors always talk about how much we learn in every show/film/whatever. But this is a play all about what it means to reveal yourself, to be vulnerable, and to be an artist. And here I've gotten to be surrounded by thoughtful, deliberate people and discuss what that means both within the context of the show and in our own lives.

And last night I had a wonderful experience with my Martin, Christopher Erlendson, where we spent hours going in depth about character, how Martin sees everyone else in the show, what it means to play emotions and how to do it. And I realized what a special place we're at in our careers, where we've found people who are really that good - the people we're going to "come up" with as we move through the ranks - and we have the time to sit down and really decide what acting means to us. Emotions. The human condition. Relationships and what it is to connect with another human being.

I've seen stories from people who "made it" and then later on in life looked back and their favorite part was their early careers where they didn't have the money they made later on, but they had everything in front of them, and I always used to look at those and be like "yeah, but career and financial security would be nice." But now I think I get it? I don't have the benefit of that length of experience yet, but I realized that I'm at that place in my career, and I'm so grateful to have such cool people with whom I get to go through it.

Anyway, come see Seminar this Saturday! I promise it'll be a cool show. 

Processing Life Events

So, several life changing things have happened to me and the people around me this month.

-I left my day job.
-I found a place to live in LA, meaning that my move over there is Really Happening.
-One of my close friends from middle school got married.
-A friend of mine took me to the Tony's.

From a year and a half long dream fulfilled (I liked my day job well enough, but it's not like I ever wanted to stay a server) to a childhood dream fulfilled (I wenT TO THE TONY'S OH MY GOD), it's been an intense month. And I'm still processing pieces of it.

For instance, my friend getting married. She and her girlfriend have been together for years, so it wasn't really a surprise to anyone. But it was still so wonderful to have a day that's all about them and their happiness. You know how there's always that one bridesmaid who is up by the altar just sobbing with happy tears? Guess who has two thumbs and was the bridesmaid that did that?? THIS GIRL. But it's also made me think a lot about what it is that I want in my personal, romantic life. Casual dating just isn't doing it for me. So what comes next? What is it that I want? What are the steps I would have to take to achieve that, and are there any that I can actually do? I don't know.

My feelings about moving to LA also keep fluctuating wildly on a literally minute-to-minute basis. I can't wait to explore a new city, and see what else there is for me on the other side of the country. I love film, and I'm about to be in a city that is absolutely dedicated to it. And I've gotten very comfortable in New York; too comfortable, I think, and I want to always be outside of my comfort zone. But also... how am I supposed to leave New York? Amy Poehler talks about "finding your tribe" in Yes, Please, and I'm well aware that I have finally really found mine only now as I'm about to leave. I have people here I love both working with and also just being around. And now I'm supposed to leave them? I'm aware that it's not forever and we'll still be friends and they'll still think of me for their work and everything, the same way I'll think of them. But I can't believe that I have to start all over again. I know I would have to do it eventually anyway. That doesn't make it fun.

Anyway, the point is, it's been one hell of a month. I've loved it. But oh man, there is so much to feel and I don't know how to process all of it just yet. Good thing I'm going somewhere where I won't have much of a social life so I'll have time to myself to do just that, huh?

On a separate topic, but still important, I'm doing one more show before I leave New York!

DSC_0027.JPG

Come see Seminar on Saturday the 1st at 8pm at The Artist Co-op! It's a script in hand reading, and I'll be playing Kate (along with having produced it). You can get tickets at seminartac.brownpapertickets.com. I'm sure I'll write more about this one soon, too!

Magic?, Measure for Measure, and the Tribeca Film Festival - "Farewell. Nope. The mayor is a drunkard as well, tell him I said so!" - Lucia, Measure for Measure

Going into the last half of April, there was a part of me that thought I'd be able to find time to keep up this blog while also being in Magic?, Measure for Measure, and working the Tribeca Film Festival. That was straight up a bald-faced lie to myself.

So now instead, let's review!

The Tribeca Film Festival is one of my absolute favorite things, but this year it just flew past me. I only got to see five films, and I just barely eked in the minimum number of shifts. But I always love being around the energy of the festival. There's always a feeling like new and exciting things are happening there - it's not about having the films that are going to win Academy Awards, but telling stories and using media that represent the future of storytelling.

Also, I got to experience VR for the first time there this year. IT'S SO COOL. I don't think it's a replacement for cinema as we know it. But what a weird and interesting experience to slip a headset on over your eyes, and look around underneath the ice in Antarctica.

Definitely did not attend opening night of the festival, though. That's because it was the same night as the performance of Magic? at Dixon Place!

Photo credit: Mo Rabbani

Photo credit: Mo Rabbani

What a ride of a show. Going from being cast to putting the show up in less than three weeks? It was so insanely intense. And it never could've worked without my talented, giving castmates, and more than that, our dedicated director, Chris Erlendson. I already wrote about how great they all on my last post. Even if that was a month ago. But it deserves repeating again. And again. And again.

The cool thing about this show was how much everyone was willing to give to make it work. When you do a show with a certain level of intensity - you especially see this in high school and collegiate theater, or touring companies - everyone in the cast and crew becomes family. You just spend too much time together not to. And it's interesting to me that we were able to attain that even though we did the show so quickly. Maybe it's because our lives revolved around each other so much for that time. When all day every day is devoted to the same group of people, maybe you're just bound to get that connection, even if that experience only happens for a relatively short length of time.

And then after the Tribeca Film Festival, I was in Measure for Measure! This one was just a ton of fun, and it reminded me so much why I enjoy playing comic characters.

Photo credit: Dylan Lopez

Photo credit: Dylan Lopez

I played Lucia (genderbend of the original character Lucio) and what a character arc that story has, man. She's funny, and she's part of the comic relief of the show, but she's not just a dumb delinquent meant to amuse the "common people" in the cheap seats back in Shakespeare's day. She has a point of view of what Deputy Angelo is doing in Vienna, and she is very deliberate at every turn in how she chooses to stick it to the man. She does it with a smile on her face and a clever insult on her tongue, but she does it well. It turns out that the man gets to stick it back to her in the end. (Shakespeare did have a thing about the innate goodness of nobility. I guess you have to when they're the ones paying your bills.) But she's an interesting, fun, crafty character, and it means the world to me that our brilliant dramaturg and director Jenna Schlags entrusted me with her. If it had been up to me, I would've thought of myself as more of an Isabella. But I so, so prefer having been Lucia. She's a character that's going to stick with me for a long time.

And what's coming up next? I don't know, man. I'm gonna try to stick one more show in there before the move to LA, I think. Because if Magic? taught me anything, it's that you can easily do a show in two weeks! Or, if not easily, you can at least do it. So I'm going to see what can be done. It's part of the spirit I love so much of New York.

Almost, Maine and Magic?

I cried on Monday. It was pretty great.

If you saw my post last week, then you know I produced and acted in Almost, Maine by John Cariani at the TBG Studio Theatre on the 10th! And it was exactly every actor/producer's dream. A big, responsive audience! A smooth show! And we raised $762 for the ACLU!!

But more than that, I'm so proud and grateful for the people I had doing the show with me, and I just want to take the time here to talk about how dedicated, thoughtful, and thorough they all were for this project. My director, Charlotte Grady, 100% made this show what it is. I may have handled the logistics, but she thought of so many things that go into putting on a show that I never considered, and without her, I don't even want to think about what it would've looked like. Speaking of the look, Ana-Sofia Meneses is a brilliant costume designer. At our very first meeting, she came in with several lookboards of ideas of what the characters and ensemble should look like, from the Norman Rockwell-ian to the idea of us all being seen through a frosted pane of glass like you would find in northern Maine, with pops of strawberry red for love. And, of course, the look wouldn't have been complete without Shannon Kavanaugh who has an eye not just for beautiful painting, but also making sure everything is cohesive and on-theme. Plus, when we got to the show date, she was happy to do whatever needed to be done backstage just to make sure the show went off without a hitch. And, of course, absolutely nothing on stage could've happened without the technical help of Claire Fishman. When we were in college together, I was part of a meeting where I saw several directors fighting over who got to have her as the stage manager for their show. And now I got to have her in mine! (And, I have to say, I'm exceptionally proud that we were able to come together as easily as we did and be an all-female production team.)

And then, of course, there's our brilliant cast. There were eighteen of us, so I don't have the space to talk about each one of them individually. But suffice it to say that they brought this play that I love so much to life, and they were totally willing to jump in, heart and soul, and give their time, energy, and thoughtfulness to this production, and I'm just so over the top proud and honored.

Valeria Avina
Arielle Beth
Adrian Burke
Jon Butts
Noah Chen
Dan DeCarlo
Therese Dizon
Raul Hernandez
Daniel Kemper
Corrie Legge
Chanelle McCoy
Uki Pavlovic
Rahmell Peebles
Marjay Smith
Chance Wall
Jenny Ward
Patryce Williams
Hannah Yi

And now, after this, it's on to the next show... which is literally this Wednesday.

It's called Magic? and it's a one-act told entirely in rhyme! The director and co-writer, Chris Erlendson, compared it to the way Shakespeare's works are written. And I promptly teased him for comparing himself to Shakespeare. The other co-writer is Yaakov Bressler, and Hannah Yi is gonna be acting with me in this, too!

But actually though, it's a clever, funny, sweet show. I'm psyched to be a part of it. I have my own theme music. It's that cool. And, for a variety of reasons, we had to pull it together in about two and a half weeks. But guys, I swear to god, we're doing it. Come out to Dixon Place this Wednesday at 7:30. It's gonna be incredible. (See how that's a link? It's a link to where you can buy tickets online!)

"But Emma, I'm a visual learner, how do I KNOW it's gonna be-"

VOILA! A promo video. Now you can be absolutely certain it's worth seeing.

Almost Maine and Being American - "The sentimental person thinks things will last - the romantic person has a desperate confidence they won't." - F. Scott Fitzgerald

I've been thinking a lot about what it is to be an American lately. On one hand, yikes. On the other hand, maybe I've just watched too much Aaron Sorkin, but I so deeply believe in what America can be.

(I know, I made a post like this at the beginning of July. Bear with me. It ends up differently, I promise!)

Beyond ridiculous, it would be foolish, ignorant, and pointless to ignore the atrocities that the United States has committed. We are definitely the country of modern day mass incarceration and an incredibly racist "war on drugs." The Japanese internment camps. Sandy Hook. The genocide of the Native Americans. The fact that we're built on the back of slavery. The whitewashing of Asian narratives like Ghost in the Shell and Death Note. And how I literally just got the NY Times notification that the Republicans changed Senate rules to block a filibuster of a Supreme Court nominee, despite having blocked President Obama's nomination of Merrick Garland.

We're just also a country that's full of people who are trying to do better. For all that we're a country of civil rights abuses, we're also a country of people protesting them and really believing they can change. We're the country of Alexander Hamilton and Lin-Manuel Miranda. We're the country of the American Dream, which never quite seems to die since we all do keep feeling hope for the future; eight and a half years ago, Barack Obama won the presidency because he tapped into that. We're the first responders who ran into the Twin Towers as they were burning to save as many people as they could.

It might be more accurate to say that I believe in the idea of America more than the reality of America. Because, like I said before, yikes. I don't even want to go into the current administration and how terrible everything surrounding it is.

I just think that the idea of America is something beautiful and worth striving towards, and I see that we do on a regular basis.

In that vein is why I'm producing a staged reading of Almost, Maine by John Cariani this Monday!

(See? I told you this would be different from my annual post around the Fourth of July!)

Almost, Maine is a play about everyday people in this average small town dealing with love and the human condition. What my brilliant director, Charlotte Grady, and I have done is assemble as diverse a cast with people of as many different skin colors, nationalities, and religions as we could. Because, despite our backgrounds and how we look, we're all Americans, and we're far more alike than we are different.

Which is, I think, the whole point.

Also, all the money we raise is going to go to the ACLU. Because they are just such a huge part of the solution.

If you're interested in seeing it, you should get your tickets now! They're on sale at almostmainetbg.brownpapertickets.com. (I'm also acting in it, if that helps!)

There's also an option there if you can't make it but just want to donate to the ACLU through us.

Because we're not in a great place right now. But I genuinely do believe that we can do better.

"Come on brain, think of things." - Lin-Manuel Miranda

I'm gonna be honest with you guys. I have no idea what to write about today.

There's the ever-relevant topic of politics, but that's already been talked to death, and I don't know what I could say to make people more politically active other than "do it". So that's pretty boring.

I've been thinking a lot lately as I organize a fundraiser staged reading of Almost Maine for the ACLU about how hard it is to do things and how many details there are to something that seems like it would be simple. But I've already written about discipline, and beyond that it's just kind of complaining about the hard work it takes to do something that I love.

I just finished a new short film called Lesbihonest, and I don't know that I'm allowed to post it online for everyone to see. I've been submitting it to contests and festivals, and I know that sometimes there are rules about not publishing your entries before they screen there or are rejected. But there's nothing interesting to anybody else about me posting on Instagram about having to look up rules and regulations.

Valentine's Day was this week, and since I'm single, I spent it mostly reveling in self-love and love for my friends. I used things that made my face all soft and pretty, and I ate chocolate, and got myself a smoothie, and went through Insta liking my friends' couple photos. But nothing, like, special happened.

I dunno, guys. I think it's just interesting how you can do a ton of things over the course of a week, and when someone asks what you've been up to, the answer has to be "nothing." Like when we actors post a regular selfie on social media with the caption "Super excited for projects in the works!" because we're not allowed to post anything more concrete, or our content isn't social media-ready yet. We want to share how hard we've been working and we want validation for all the little things we've done, but we don't have anything real to share yet.

The real MVP of that is Lin-Manuel Miranda. He spent seven years writing Hamilton. Damn.

So, in conclusion for this post, I want to be super clear. I was grasping at straws. I couldn't think of a single real topic for this week. And I still humble-bragged about my production of Almost Maine and Lesbihonest, along with comparing myself to Lin-Manuel Miranda. The self-love thing on Valentine's Day clearly worked.

I hope you all have had a productive week, even if you also can't figure out anything to really say about it!

Avoiding Burnout

If you had told me a year ago that I would come close to burning out, I never would've believed you. I would be coming straight out of NYFF 2015 having seen a bunch of the movies that would come to compete in Oscar season, hella inspired, and wanting to tell all of the stories and explore all of the human condition.

I've worked a lot since then. Both as an actor, and at my day job just to keep myself stable.

Now, in all fairness to me, I've been doing pretty well for myself. Over the summer, I was the lead in three student shorts, I was cast in two features, I did a play, I went through a solid portion of the post-production process for my own short film, and I started work on my new solo show. I'm literally living the dream, and it's pretty awesome.

In fact, I was so happy with the work I had been doing that I didn't realize that, between all of that, working at my day job, and trying to have some kind of a social life, I was burning out until I got on the plane to go on vacation, and my whole body lit up at the prospect of just being on holiday.

Oh yeah, a couple of weeks ago, I went to London! There is a massive blog post coming up about everything I did, the love I feel in and for that city, and Harry Potter and the Cursed Child. I'm wearing my new Slytherin necklace now and everything. It's pretty badass. I also went to Edinburgh. I had never been there before. It's so beautiful I can't stand it. And I ate haggis. I'm pretty brave.

Now, part of all that is just me and how much I love to travel. But it was such a change to wake up in a hostel room at 7am after maybe five hours of sleep and instantly be awake and excited for the rest of the day instead of oversleeping if I try to make myself have any less than seven and a half hours.

I'm not really sure what the answer is here. I still do the work now that I'm back in the US, and I love doing the work, and it makes me happy. Maybe it's just that it's that much easier to be excited while on vacation because you know you only have a week to do everything so you want to soak it all in while you can, and it's a totally normal thing.

It does help me remember how lucky I am, though, that I can be an actress and still travel the world, it helps me remember how important my discipline is while working at home, and it makes me especially excited to go to Peru later this month! So there's still all of that.

Microblogging - "Brevity is the soul of wit." - Oscar Wilde

I read an article on Backstage about how actors should be "microblogging." The idea is that I would be posting a whole bunch of two or three sentence blogs about the things that I'm doing, with links to their websites. Posts like...

Come see me this weekend at Columbia University's BET Ensemble showcase "HEAR ME!: 10 Minute Play Festival Featuring the Columbia/Barnard Poetry Slam Team"! Tickets are on sale for Friday and Saturday. Hope to see you there!

(Fun fact: You should come see me this weekend at Columbia University's BET Ensemble Showcase "! Tickets are on sale for Friday and Saturday. I hope I'll see you there!)

(Fun fact number 2: I'm definitely going to do a microblog post of exactly that after I've finished writing this post, in case someone comes over but doesn't want to read this much longer post. So if you see it twice, you're not crazy. It's just that I am.)

The argument for more "micro" blog posts is that they're good for people who just want a quick update of what I'm up to, I can post more of them without looking obnoxious for throwing blog post content at everyone all of the time, they're good for people who aren't willing to read my longer essays about the industry or analyses things, and they help increase my search engine optimization (SEO) so this website is the first thing that comes up when someone searches my name. (Fun fact number 3: When I first created this website, if you searched my name, you had to scroll through several pages of Google results before it would come up.)

But for all of those very rational and legitimate reasons to microblog, it hurts my Creative Writing major's heart. There's no art to microblogging! I like writing longer posts because it can show more of who I am as a person, I can actually use my writing style and training, and it's just more personal - longer blog posts are not something a machine could churn out, but anything can post a link and type "check it out!"

So I'm going to ignore the people who say that you can't have it all in this as well as the rest of my life, and I'm just going to do both kinds of blogs. Because as helpful as microblogs can clearly be, I fail to see what the point of having a blog is if I can't passionately express my love for all kinds of media on it every so often.

Alternatively phrased: I fail to see what the point of having a blog is if I can't find myself incoherent and start writing anyway.

Finally, on a totally unrelated note, happy Purim! In light of that...

Recipe of the Week: Lazy Hamentaschen

Fun Fact (number 4, I guess): For all that it is a specifically Jewish holiday coming from one of our holy books, God's name is not mentioned once in the Book of Esther. (Source)

"It's a flyer for my play." "Oh, Lily, I'd love to, but we're not in college and I'm not trying to sleep with you." - How I Met Your Mother, "Stuff" (S2E16)

I'd like to think that people who came to see the shows I was in during college weren't just trying to sleep with me!

This past weekend, I went back up to visit Brandeis, and I saw a show there. It was very strange; I was the kid who lived in the theater while I was a student. The student center theater is my happy place. And I went up there to see a show that I never even had the opportunity to participate in whatsoever. I'm not even allowed to touch the different parts of the set, or the tools of the theater, or anything that a regular audience member wouldn't touch. I can give the safety walkthrough of that theater that every actor and techie has to receive each semester, but since I'm no longer a student, I'm a liability. It was very, very weird.

But despite being out of place in one of my favorite spots in the world, I absolutely loved the show. It was Brandeis' musical theater group (Tympanium Euphorium, which means "happy ear") and they did Spring Awakening.

Spring Awakening is a big show, and I've heard people try to discourage student groups from doing big shows. It's true that student clubs oftentimes have a difficult time doing said shows justice since they deal with big themes that can be hard to fully portray when you've never lived through anything as big as the show. If you don't have the real world experience, how can you experience it on stage? And I will fully admit that I have seen student productions of these kinds of shows fall flat on their face for exactly those reasons.

But I think that, at their best, student productions can be just as extraordinary as any professional theater. Students have the benefit of having both the same passion and drive as professionals, along with the money and equipment that a structure behind them (and the tuition they pay) can provide.

It basically comes down to youth versus experience. Experience has an easier time putting on a good production with fewer resources. But, especially with university-level resources behind them, students can absolutely put on an amazing show as well. Which Spring Awakening certainly did!

Perhaps I'm still too close to being a student, and I'm just being sentimental. But Brandeis' Spring Awakening made me cry just as much as it did when I saw it on Broadway. Sure, it's a biased experience. But I don't think that makes it any less valid.

"And thus, the instruments of life become the instruments of death. Farewell!" - Frankenstein, Act II Scene V

Frankenstein closed on Saturday. And now it's done. That's so weird! I've been in rehearsal for it ever since June... how can it be over??

We had a pretty fantastic run, though. You can check out some photos of the show on The Footlight Club's Facebook page! They look pretty great, right? I have to admit, when I first heard what the tech was supposed to look like at the beginning of our process, I was a little skeptical, but it totally worked!

That's actually one of my favorite things about a show going up. Not just an audience getting to see all of your hard work, or getting to perform for that audience in the first place, but having everything come together. At the beginning of a tech week, for just about every tech week I've ever been in, it seems like everything is going wrong, and there's no way the show will be able to open. And by the end of it, thanks to theater magic (which I absolutely believe in), it always works out! It's... well... magical. And I love it.

I do have some big news coming up now that Frankenstein is over, but I'm not quite sure I'm willing to reveal it yet. But stay tuned, because I promise, some major updates are coming! Not gonna lie, I'm pretty excited for them.